KUCHING: The inaugural Borneo Craft Global Conference, held in conjunction with the Borneo Global Expo, highlights the vibrant growth of Sarawak’s craft industry, said Datuk Seri Abdul Karim Rahman Hamzah.
Officiating at the event today at a leading hotel here, the Minister of Tourism, Creative Industry and Performing Arts said the event brought together global experts, artisans, and stakeholders to celebrate and strategise the development of the craft sector.
“Sarawak’s craft sales for 2024 had reached RM20 million as of October, driven by local and international demand. Events like the Sarawak Regatta and National Craft Week have boosted the industry, which also benefit from corporate social responsibility (CSR) initiatives by companies like Sarawak Energy Berhad (SEB),” he said.
The event also highlighted efforts to engage youth through initiatives such as the Sarawak Youth Startup programme and Dana Mudah Cara Warisan grants, aimed at nurturing young talent in the creative industry.
He added that as Kuching, recognized as an International Craft City in 2019, recovers from the pandemic’s disruptions, this conference aims to position Sarawak as a hub for cultural and creative exchange.
“Craft is an integral part of our heritage, and through platforms like Borneo Craft Global, we hope to preserve, promote, and innovate our traditions for future generations.
“Craft is not just an economic activity but also a unifying platform. Recognising the efforts of artisans, even those deep in the interiors, ensures their craft is acknowledged and celebrated globally.
“The conference underscored the importance of recognising local artisans, such as master craftspeople in Pua Kumbu weaving and traditional music, as examples of Sarawak’s contributions, including renowned sape master Matthew Ngau, whose work has gained international acclaim,” he said.
Recognition is crucial, he noted, from the 92-year-old weaver in Semerak to younger artisans, this conference offers a platform to celebrate their skills and contributions.
“So that’s why when it comes to developing crafts, art and craft, of the many ethnicities in Sarawak, we don’t stop ourselves only to just one or two communities. Not just the art and craft of the Iban, or the art and craft of the Bidayuh. It is open,” he said.
