Should entertainment guidelines be dictated by strict regulations, or should they be based on common sense and cultural acceptance? Where do we draw the line between personal expression and societal norms when it comes to fashion and concert attire?
How can Sarawak maintain its reputation as an entertainment hub while still respecting local traditions and values? Should the government play a bigger role in promoting Sarawak as a major entertainment destination? And how do events like concerts and festivals contribute to shaping Sarawak’s identity on the global stage?
These are just a few of the questions worth pondering as Sarawak continues to grow within the entertainment industry.
I believe that the key — agreed upon by the majority, if not all, of Sarawakians — lies in striking the right balance: one that upholds artistic freedom while preserving the values that make Sarawak unique.
With this in mind, I fully support the statement made by Sarawak’s of Tourism, Creative Industry, and Performing Arts Minister, Datuk Seri Abdul Karim Rahman Hamzah. He rightly pointed out that as long as outfits are not excessively revealing, there is no issue with being stylish or sexy.
At a recent press conference for the upcoming “Nidji: Pelangi di Kuching 2025” concert, scheduled for April 26 at Stadium Perpaduan Petra Jaya in Kuching, he addressed concerns over concert dress codes. He made it clear that while the state does have its own regulations, they are not as restrictive as those in Peninsular Malaysia.
“There are guidelines everywhere. Even in America, if an artist were to go on stage naked, it wouldn’t be allowed. The guidelines in Peninsular Malaysia might be stricter, but in Sarawak, we have our own set of guidelines — as long as they are not excessive.’”
“If we look at Borneo Sonic last year, there were quite a number of people dressed sexily. There’s nothing wrong with being sexy out there.
“I think the guidelines in Sarawak might be slightly different from those in Peninsular Malaysia. For me, as long as it’s not overly revealing to the point of inviting criticism, it should be fine. We are level-headed here,” he was quoted as saying.
The minister’s remarks make perfect sense. I wholeheartedly agree with him, as his perspective is both balanced and practical. The rules are simply about maintaining moderation and reasonableness.
It reinforces Sarawak’s balanced approach—one that acknowledges cultural sensitivity while also embracing the diversity and dynamism of the creative industry.
With this, Sarawak has once again, demonstrated a pragmatic and progressive stance on issues affecting the state’s entertainment scene.
This approach is a breath of fresh air in an era where entertainment policies often swing towards extremes—either too liberal or overly conservative.
The minister’s remarks regarding concert guidelines and attire regulations reinforce Sarawak’s balanced approach—one that acknowledges cultural sensitivity while also embracing the diversity and dynamism of the creative industry.
He understands that people want to have fun and express themselves, but some boundaries are necessary to ensure harmony.
It is widely acknowledged that Sarawak is steadily growing as a hub for music and the arts.
Major events like the annual Rainforest World Music Festival and Borneo Jazz draw large crowds. These events not only enhance Sarawak’s cultural landscape but also boost tourism and the local economy. Both tourists and locals appreciate the opportunity to watch famous acts perform.
Entertainment significantly contributes to the economy. Concertgoers do not just purchase tickets; they also spend on food, transport, accommodation, and other services. This benefits a wide range of businesses.
Furthermore, musicians and event organisers gain more opportunities to showcase their talents. If Sarawak continues to foster an environment that is conducive for concerts and performances, it will become a sought-after destination for artists.
The minister’s comments highlight Sarawak’s progressive and open-minded approach, which contrasts with the more conservative stance taken in some parts of Peninsular Malaysia.
A recent controversy saw a group of male social media influencers sparking debate by wearing flamboyant outfits to a red-carpet event. While opinions on fashion choices differ, Sarawak takes a calmer, more balanced approach. The focus remains on ensuring a reasonable level of decorum without imposing unnecessary restrictions.
A thriving entertainment scene also means greater business opportunities. Concerts attract visitors and generate revenue.
With continued government support and fair guidelines, Sarawak can entice more internationally renowned artists.
If more international and regional performers recognise Sarawak as a prime venue, the state will solidify its status as a premier destination for live music.
The minister did not deny that some challenges come with hosting concerts, and these must be addressed.
One of the biggest concerns, he noted, is ticket scalping, where individuals buy tickets in bulk and resell them at exorbitant prices. This practice makes it difficult for genuine fans to obtain tickets at fair prices.
On this, he said the state is leveraging technology to curb this issue, ensuring a transparent and secure ticketing process so that fans can enjoy concerts without being exploited.
Sarawak has the potential to host even larger events. As the entertainment scene expands, it can attract international music festivals, prestigious award shows, and grand-scale performances. This will further establish Sarawak as a vibrant cultural hub.
Additionally, other creative industries such as fashion and film will benefit, providing local talents with more platforms to showcase their skills and fostering a thriving creative economy.
Beyond its economic benefits, the entertainment industry plays a crucial role in bringing people together.
Music, dance, and performances create shared experiences that unite communities. This is especially vital in Sarawak, a state celebrated for its rich cultural diversity.
By supporting concerts and local event organisers, Sarawakians contribute to the growth of the entertainment industry.
As Abdul Karim rightly pointed out, consistent support will attract even bigger and more renowned acts in the future. This is an opportunity for Sarawak to cement its reputation as a place where music and the arts flourish.
Sarawak is setting an example for others. It is proving that a state can embrace modern entertainment while staying true to its values.
This benefits music lovers, artists, and the economy alike. The government’s approach demonstrates that entertainment policies can be both fair and practical, ensuring inclusivity and sustainability.
At the end of the day, a well-managed entertainment scene is a win for everyone. Fans get to enjoy outstanding performances, artists receive the recognition they deserve, and businesses thrive.
Sarawak’s measured and level-headed approach ensures that the entertainment industry continues to grow in a way that is both exciting and respectful of its cultural heritage.
As long as guidelines remain reasonable and fair, Sarawak will remain a top choice for music enthusiasts and performers worldwide.
The views expressed here are those of the writer and do not necessarily represent the views of the Sarawak Tribune.
