Revitalising the Bidayuh music scene

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Desmond with his fans.

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Singing in one’s native tongue fosters pride in heritage and identity.

These singers often take on leadership roles within their communities, amplifying the uniqueness of their culture on a larger scale.

They also experiment with contemporary music while staying true to their local accents, creating a blend that is both intriguing and refreshing, yet preserves traditional characteristics.

Singing in one’s native tongue gives a singer the opportunity to make a significant impact by supporting and preserving culture, in addition to music.

Follow Sarawak Tribune’s short interview with rising Bidayuh artiste Desmond Markus, as he shares how he became involved in the local music scene.

Q: Could you briefly describe your journey in becoming a Bidayuh singer?

A: I have been involved in singing since I was in school, but I became active in 2019, starting with a band. I moved out on my own in 2022, and in 2023, I began experimenting with the Bidayuh music scene. To cut a long story short, I was inspired to get involved in the local music scene after a conversation with my friend Rozzie Mila, a local Bidayuh artiste, about the need for a new generation in the Bidayuh music industry.
 
Voice is the most valuable asset for every singer. How do you maintain the quality of your voice?

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Getting adequate sleep or rest is crucial for maintaining the health of our voices. I always warm up before singing or performing by bubbling, which helps me avoid becoming exhausted quickly on stage. Additionally, before performing, I engage in light physical activity to sustain my breathing and endurance.

Has there ever been an instance of criticism that upset you, and how did you recover from it?

Yes, I have. In my opinion, this is typical for any artiste since we can’t win over everyone. However, I am appreciative because I don’t get discouraged easily; I believe I have a strong mindset to ward off negative vibes. I am always receptive to positive feedback and use constructive criticism as a guide to improve my performance.

Which Malaysian artiste would you prefer to work with, and why?

I would really like to work with my Sarawakian idol, Dayang Nurfaizah. In my opinion, Dayang has a distinctive voice, a unique style, and a wonderful vibe. Throughout my involvement in the local music industry, I have consistently looked up to her performances and vocals.

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How do you see the development of the music industry in Sarawak?

Unquestionably, our music industry is expanding, as evidenced by the fact that many Sarawakian musicians are now able to write their own songs and pursue independent careers. In my opinion, every ethnic group experiences its own revolution. Therefore, my friends and I will always collaborate to revitalise the Bidayuh music scene, as it is vital to preserve this art form for future generations.

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